How Moving Patterns was made better by colleagues

[ Go Straight to the Kickstarter https://bit.ly/MPKickstarter

MP.2 (2)Sooo…I have been bringing percussive dance and math  together into elementary classrooms for over 16 years. During that time I’ve shared my approach to whole-body math learning with my book Math on the Move: Engaging Children in whole body learning. book Published by  Heinnemann. learning in 2016. 

The last few years I’ve focused on re-imagining my flagship program Math in Your Feet™ to make this school day program more accessible to teachers, parents, and caregivers than I could ever reach one classroom at a time…and the Moving Patterns Game was born!

My advisers in this game making endeavor include:

  • Max Ray-Riek (@maxrayriek) who did some awesome brainstorming with me around the mathematical content.
  • John Golden (@mathhombre) who helped  me with making it a real game! 
  • Finally, I am indebted to Christopher Danielson (@Trianglemancsd) and the awesome volunteers at the  Math on a Stick exhibit at the Minnesota State Fair over the past few years. 

Here’s how the game works in a nutshell…

The Moving Patterns Game is an active, self-directed game featuring patterns, footwork, friends, and math. Dancing makes life fun, and math makes the dancing more interesting! This playful and creative body-based game challenges players to collaboratively decode and dance a series of footwork-based “maps” (called Pattern Cards.)

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The blue Pattern cards function as little footwork “maps” that show the player how and when to move their feet.

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The orange Challenge cards provide mathematical prompts for making the footwork maps more interesting and changing each pattern in some way, leading to the creation of new footwork based dance patterns. Paired together they become potent choreographic prompts where players can literally play around with both math and dance at the same time.

About the Game:

The Moving Patterns Game is based on a style of dance called “percussive dance” where you make rhythm and patterns with your feet at the same time. Percussive dance includes tap dance, step dance, clogging, and many other foot based styles.

I am acutely aware that I bring the two most anxiety producing subjects together but don’t let that get in the way of a playing a really fun game!  If you are not sure about how it works, please know there will be a number of supports provided along the way will be a variety of supports to help you learn how to play the game, especially an online instructional video and the Facebook Group Moving Patterns Game Support. |You can join the group any time. Check it out now!! Hope to see you there!


Malke Rosenfeld is a percussive dance teaching artist, Heinemann author, editor, math explorer, and presenter whose interests focus on the learning that happens at the intersection of math and the moving body. She delights in creating rich environments in which children and adults can explore, make, play, and talk math based on their own questions and inclinations.

Moving Patterns Sneak Peek!

Moving Patterns is an active, self-directed, creative body-based game featuring patterns, footwork, friends, and math. Dancing makes life fun, and math makes the dancing more interesting! 

The Moving Patterns Kickstarter goes LIVE on July 14, 2020!  While we wait for Launch day I thought I’d give you a sneak peek of the graphics that make up the core of the game.

The orange challenge cards provide mathematical prompts for making the footwork maps more interesting and changing each pattern in some way, leading to the creation of new footwork based dance patterns. Paired together they become potent choreographic prompts where players can literally play around with both math and dance at the same time.

Why not sign up at http://movingpatternsgame.com/ to get a quick update in your inbox on launch day!

And don’t forget to watch the video, below!


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Sign up for the Moving Patterns Game!


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Hey everyone! I hope you are all well and weathering our current situation. I am continuing to develop ways to bring math and movement together both indoors and outdoors. If you are a member of the Math on the Move Book Group or the group Moving Patterns Game Support on Facebook you will have seen some of my posts about how the game is really the first step to learning about working with math and moving bodies at the same time.

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What I noticed during the game pilot at the Boys & Girls Club is that once kids get the hang of the footwork they can basically figure out how the game works. It’s at this point that they start to take ownership of the game.  I won’t be able to be back in real-life classrooms for a while but I know that the current supports in place (links above) will be a good proxy  as we move forward.  If you haven’t yet signed up for the FREE Moving Patterns Game Starter Kit why not try it out? 

SIGN UP for GAME UPDATES & STAY WELL! 


Malke Rosenfeld is a dance teaching artist, author, editor, math explorer, and presenter whose interests focus on the learning that happens at the intersection of math and the moving body. She delights in creating rich environments in which children and adults can explore, make, play, and talk math based on their own questions and inclinations.You can find out more about her work at malkerosenfeld.com,  on Twitter,  Instagram, or Facebook.

Introducing the Moving Patterns Game!

I’ve been a little uncommunicative on this blog lately but for good reason. I’ve been hip deep in developing my new game based on my flagship program Math in Your Feet. The Moving Patterns game is an active, self directed game about about patterns, footwork, friends, and math. Dancing makes life fun and math makes the dancing more interesting!

Back in February I did a three month pilot at a local Boys & Girls club and I was completely thrilled to see the game in action and looking almost exactly the same kind of activity from the kids…EXCEPT in an even more self-directed manner than the school-based version! Program Director Lauren Hong commented on the many gains and successes  in children who participated in the Moving Patterns pilot:

The Moving Patterns game has has subtly worked its way to the heart of the Crestmont Boys & Girls Club and is transforming our members step by step. I have seen individuals on the edge of an emotional eruption be convinced to try their hands (feet) with the game and have witnessed the shift to positive engagement and pride at making up their own dance steps and accomplishing the games various mathematical challenges. The Moving Patterns game is fun, interactive and engaging.”

MP picture resizedThis playful and creative body-based game challenges players to collaboratively decode and dance a series of footwork-based “maps.” Challenge cards add a variety of mathematical challenges along the way to enhance game play and the development of original new dance patterns.​ Moving Patterns is based on a style of dance called “percussive dance” where you make rhythm and patterns with your feet at the same time. Percussive dance includes tap dance, step dance, clogging, and many other foot based styles.

An early version of the game will be out around (American) Thanksgiving. If interested, you can add your email to: http://bit.ly/movingpatterns for updates about the game, including when the instructional video piece is online (hopefully some time in Spring 2020.) I am also planning  a variety of teacher and parent supports. This project is the culmination my work in and around educational settings since 2002. I’m thrilled to be getting this game out in the world!


Malke Rosenfeld is a percussive dance teaching artist, Heinemann author, editor, math explorer, and presenter whose interests focus on the learning that happens at the intersection of math and the moving body. She delights in creating rich environments in which children and adults can explore, make, play, and talk math based on their own questions and inclinations.You can find out more about her work at malkerosenfeld.com,  on Twitter,  Instagram, or Facebook.

 

Whole-Body Planar Graph Investigation

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Earlier this year I was contacted by Eric Stucky who was lecturing a course for math majors at the University of Minnesota. Although I am generally in the realm of elementary mathematics, over the years I have had the pleasure of interacting with professional mathematicians and others who think expansively about both the mathematical subject matter AND the pedagogy of their instruction.

These experiences and conversations continue to show me that whole-body math learning is for everyone. This particular story is an email conversation I had with Eric that shows just how powerful whole-body math investigations can be for fourth graders AND math majors. This is also a story about coming to understand how to negotiate a whole-body math lesson. I especially appreciate Eric’s reflections later on in this post on how his lesson went.


[ERIC]

Hello Malke,

I am a graduate student at UMN, looking for advice on an activity. I am currently a lecturer for an upper-division course for math majors; this is my first lecturing position. Class meets for two hours straight, so I’m always on the lookout for activities to break up the time.

On Wednesday, the class begins a unit on planar graphs. I had the idea to build some large physical models of graphs out of index cards [vertices] and yarn [edges], and then have them play around trying to see if they can get the edges to not cross each other.

Figuring I should know what the research is, I found your blog. Your post “A Framework for Whole-Body Math Teaching & Learning” made me consider integration of movement may not be substantial enough: they might as well lay the cards on the floor. The models should be big enough that they would have to walk/stretch to move the vertices around, but at that point, perhaps the movement becomes less of a reasoning tool and more just a nuisance? At least they would still have the experience of moving the edges physically instead of metaphorically (i.e. as they would when redrawing the graph on a worksheet), but this feels weak to me.

Unfortunately, there’s a logistical difficulty that doesn’t arise in the Rope Polygons exercise: students only have two hands, so it’s not as straightforward to make *them* the vertices of the graph because they can’t just “hold on to their edges” in a straightforward way. I really feel that if this could be done somehow, it would provide that extra something to make this activity be really special. 

If you have any thoughts, or any references to point me to, I’d love to hear them. Thank you for your hard work!

-eric

[MALKE]

Hi Eric! Thanks for getting in touch. I’m excited that you are wanting to try a whole-body math activity with your students.  My first thought after reading about your plans for the activity is that it’s not weak at all. Movement is important but in this case I think it’s more about the change of scale and the collaborative effort to meet a series of challenges you provide (I’m assuming you might already have a specific graph or graphs in mind?)  I wonder if you could find some sturdy elastic instead of rope to make the activity more dynamic? The change of scale cannot be underestimated as a learning tool.

[ERIC]

Sorry that I left you hanging… the activity ended up getting delayed for a few weeks because of some pressing issues that we discovered from the homework, but it did end up happening! Your kind words gave me the push I needed to do it, and you were spot-on: the collaborative aspect was definitely reinforced by the change of scale [emphasis added] and I think it worked out well all around.

I ended up using the yarn thinking that I could just use multiple strands per edge, but when I was doing some test runs I realized that this was a terrible idea because it was too much work to get the strands to stay together so they ended up being single-stranded yarn strongly taped to hard-plastic plates; definitely would do that differently next time.

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I decided to give them one non-planar graph (pictured left) to see what they would do with it. After that group worked on it for a while, and I told other people to go work on it with them, I asked the class what they thought. Half of them decided that it wasn’t possible, and half of them were not so convinced. I wonder how related those results were to how much interaction the students had with that graph. (Unfortunately, the idea was IMO undercut by the fact that one of the planar graphs I gave was a bit too complicated, and that group wasn’t able to untangle it. I didn’t tell them that it was planar— except one student who asked me about it after class. But I think everyone could see that the two groups were getting stuck in qualitatively different ways. I wonder how much the results were influenced by that graph).

The graph on the bottom right was the planar graph that the class wasn’t able to figure out.

malke-np (1)A further note from Eric: It was important to me that the graph to the left  would be fairly hard to identify for the more advanced students. In particular, if they already knew Euler’s formula and the q≤3v-6 inequality this would be useless, because it has the same number of vertices and edges as a cube, which is planar. Moreover, although it has K_{3,3} as a minor, it does not have K_{3,3} as a subgraph, so some passing familiarity with the classic 3-utilities puzzle would not be enough to immediately detect nonplanarity. In practice, although I had a few very advanced students in my class, including one who worked on this graph from the beginning, this wasn’t an issue— or perhaps it was just a success :P)


Malke Rosenfeld is a percussive dance teaching artist, Heinemann author, editor, math explorer, and presenter whose interests focus on the learning that happens at the intersection of math and the moving body. She delights in creating rich environments in which children and adults can explore, make, play, and talk math based on their own questions and inclinations.You can find out more about her work at malkerosenfeld.com,  on Twitter,  Instagram, or Facebook.

Prepare to be Inspired! New Math & Dance Resources from a Canadian School Board to Help Guide Your Way

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During the fall and winter of the 2017-18 school year teachers and students in the Kawartha Pine Ridge District School Board (KPRDSB), Ontario, Canada took the plunge. Using Math on the Move: Engaging Students in Whole Body Learning they bravely began the process of bringing math and dance together into the same learning context. Mary Walker Hope, who spearheaded the process, invited me to observe and celebrate the final presentations of children in grades one through eight. During my video chat observations I was incredibly inspired to see how the process laid out in Chapters 4 & 5 of Math on the Move had supported both children and teachers alike.

At the very end of their math and dance project Mary created three individual e-books recounting their work, with a special emphasis on the process. She writes:

Through integrating math and the arts, we engaged our students as inquirers, collaborators, creators, problem solvers, artists, dancers and mathematicians.

We began our journey from a creatively curious stance and with humility. We inquired, persevered, and solved. We learned how to teach math through dance and dance through math. We discovered through our collaborative inquiry that math, dance, language, music, and art are as interconnected as the processes we use to understand, solve, and create.

These three e-books are divided by grade band and FULL of documentation of their math/dance making process from start to finish including:

  • Introductory activities
  • Insights and encouragement for teachers around negotiating math and dance in the classroom at the same time
  • Details about what each step of the process looks like in each grade band
  • Lots of videos illustrating a variety of student work
  • Step-by-step examples of the making process
  • Examples of what they did to apply, extend, reflect, and assess the math/dance work
  • Finally, these e-books provide an overall positive and encouraging message for teachers who might be ready to jump in to #movingmath!

These are real kids and real teachers making gorgeous math and dance.  YOU CAN TOO!

The books are linked below. You might also be interested in another post on this blog inspired by the Canadian crew called “Why Math in your FEET?” which provides an explanation of percussive dance and the different kinds of sounds you can make with your feet while dancing.


Malke Rosenfeld is a percussive dance teaching artist, Heinemann author, editor, math explorer, and presenter whose interests focus on the learning that happens at the intersection of math and the moving body. She delights in creating rich environments in which children and adults can explore, make, play, and talk math based on their own questions and inclinations.You can find out more about her work at malkerosenfeld.com,  on Twitter,  Instagram, or Facebook.

ISO Participants for the Moving Patterns Game Summer Pilot!

Do you have plans for summer programming? Do you want your participants to have an experience with math that is off the page, creative, and highly physical? If so, please consider joining the Moving Patterns Game by Math in Your Feet™ summer pilot! Help us further develop this interactive, moving, and mathematical game!

Overview

The first pilot of the Moving Patterns Game by Math in Your Feetwas with 3rd and 4th graders during school hours. It has also been played at family math nights and at last year’s Math on a Stick exhibit at the Minnesota State Fair. We know that it works but there are additional questions we want to explore.

The game combines the Math in Your Feet  school-based program with the best of informal, kid-initiated playground activity. The overall vision is to get kids moving and thinking mathematically at the same time, and as a creative free play option for recess (inside or out) and/or after-school enrichment.

About the Pilot

Pilot sites will be chosen based on a variety of factors including duration of summer programming, demographics of participating children, and level of commitment. If chosen you will receive all the materials necessary to run this activity and guidelines for getting started with the game including:

  • The original pattern cards AND a set of larger laminated cards that promote creative collaboration between dancers
  • A poster of Pattern Properties to help make sense of the pattern cards
  • Copies of the game when it has been professionally designed and released
  • An opportunity to contribute to the development of the game

If interested please fill out this survey no later than May 20, 2018. The survey includes more information about this pilot and a section for any unanswered questions you might have before committing. I’m looking forward to hearing from you!


Malke Rosenfeld is a percussive dance teaching artist, author, editor, math explorer, and presenter whose interests focus on the learning that happens at the intersection of math and the moving body. She delights in creating rich environments in which children and adults can explore, make, play, and talk math based on their own questions and inclinations.You can find out more about her work at malkerosenfeld.com,  on Twitter,  Instagram, or Facebook.

A Powerful Tool for Both Learners & Teachers

 

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Larry Ferlazzo invited me to answer this question on his Ed Week Teacher blog: “What is an instructional strategy and/or teaching concept that you think is under-used/under-appreciated in the classroom that you think should be practiced more widely?”  I am sharing my response here but do check out the other answers!


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Every day students of all ages come to school with a powerful tool for mathematical reasoning but rarely get the opportunity to harness its full potential. When this tool, our students’ own bodies, are used, the activity is typically relegated to acts of memorization that lead no further than the next test. In contrast, taking math off the page and into the spatial, embodied realm of the whole, moving body has great potential to open up new avenues for understanding. Here are some examples of how a whole body, #movingmath approach can open up new opportunities for learning in a variety of grades and settings:

  1. Changing the scale:  When you change the scale of the math you are already exploring in your classroom you provide learners with the opportunity to get to know math from a completely new and novel perspective. Whether it’s exploring  number patterns on a scaled-up hundred chart, physically experiencing magnitude, scale, distance, and direction on an open body-scale number line, or noticing new things about polygons using lengths of knotted rope, learners collaborate, discuss, evaluate, reflect upon, record their activity, and start to connect it to other experiences in which they encounter and use these ideas. Seeing connections develops intuition,” Dan McQuillan at the University of Norwich tweeted recently. “Proofs are great; just like climbing trees, but the ability to swing from tree to tree is also great.”CH3P26
  2. Reasoning in action: During a Proving Center lesson Kindergarten students were asked to work in teams of four or five to find the center of an 11- cell structure, which looks a bit like a ladder.  Children were able to find the “center” of the object with their bodies rather quickly but their biggest challenge was to justify their physical reasoning. Lana Pavlova, an elementary teacher from Calgary, Canada told me that some of her students’ reasoning included “Because five is the same as five”, “Because these two sides are equal”, “Because it is exactly the half”.  Another student said that “not all numbers have the middle, six doesn’t. One has the middle and it’s one.” Lana told me, “I was very impressed by the kids’ reasoning. I also want to highlight how important the initial ‘explore’ stage is [and that] the movement IS the reasoning tool.”Fairhill ladder
  3. A reason to persevere: Lisa Ormsbee, a P.E. teacher at Fairhill School in Dallas,TX spent three weeks this past June running an enrichment program using movement and rhythm to explore and deepen enjoyment and understanding of math with intermediate students, many of whom exhibited what she called “math reluctance.” One of her main activities was Math in Your Feet  which requires precise physical/spatial reasoning around rotations,  categories of pattern properties, unitzing, complex patterning, equivalence, and perseverance to create original foot-based patterns. Lisa told me, “The kids were ALL so engaged in this activity! It was extremely hard for a couple of students, but because they were working with a partner they were more interested in “sticking in there” where it was uncomfortable until they got it!”rb-5a
  4. Cognition is embodied: “Conceptualising the body, in mathematics, as a dynamic cognitive system enables students and teachers’ physical, visual, verbal, written, mental, and (in)formal activity to be taken not simply as representations  of abstract spatial concepts but…as corporeal and contextually grounded forms of cognition.” [Spatial Reasoning in the Early Years, Davis et al. 2015]

Overall, no math concept can be understood completely in one representation or modality.  Similarly, not all math can be explored with the body. Whole-body math may be a novel approach for many but it’s also clear that it can be a powerful tool for both learners and teachers.


Malke Rosenfeld is a dance teaching artist, author, editor, math explorer, and presenter coverwhose interests focus on the learning that happens at the intersection of math and the moving body. She also delights in creating rich environments in which children and adults can explore, make, play, and talk math based on their own questions and inclinations. Her book Math on the Move: Engaging Students in Whole Body Learning,  was published by Heinemann in 2016.

Leaving Room for Question Asking

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NOTE: This post was originally published at my other blog  April 15, 2017.

How much of the math you do in your classroom is based on someone else’s questions? Someone far away from your classroom? Someone other than your students? Even with specter of standardized tests looming like dark, heavy clouds, how can we leave room for the most important part of learning: question asking?

“So many of the things that we do in math education — and maybe more generally in education — are giving students answers to questions that they would never think of asking. By definition, that’s what it is to be boring. If you’re sitting at a bar and someone’s telling you stuff that you’re not interested in and you would never think of asking about — what is more boring than that? That seems to be the model of our educational system: ‘Here’s the formula for the cosine of the double angle.’ ‘Well, I don’t care about that.’” —Steven Strogatz

The first time I experimented with building scaled-up geometric forms I was homeschooling my then-seven-year-old. At the time she was a “resistant” learner which basically meant she was happiest exploring her own questions, and, over a couple years of homeschooling I realized my best strategy was to influence the child by way of my own curiosities and the way I structured the environment, leaving out provocations to be discovered and, if of interest, investigated.  This was also a time when I was deep into finding answers for my own question “What is math?” and I was heavy into an investigation into Platonic Solids. I had never been a builder as a child, but I had a question and it needed to be answered.

Back in April, on Twitter, I had a conversation with Lana, a third grade teacher who is reading Math on the Move and who has been wondering about how how to “scale up” her students’ mathematical activity.  Specifically she’s been curious about my recent work with building body-scale polyhedra.  Body- or moving-scale means that the whole body/person is engaged in problem solving and mathematical thinking to investigate a mathematical challenge or project of some kind. I think Telanna’s question could be anybody’s question who is wondering how we can do math off the page.

My answer focused on how I structure a making activity and the learning environment in a way that motivates learners to collaborate and ask new questions in response to the activity in an intrinsic way.

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It’s in the process of making something with the freedom to try things out and see where it gets you that creates new questions.

It’s these questions, arising in the moments when they’re needed, born of collaboration,   that help learners notice structure and pattern and purpose in what they’re doing. From there we can move to the more formal learning. But, like my daughter, I think kids in general are most motivated when they are provided agency by the adults in their lives. Their work may not be technically perfect, but they are in the best part of learning (to me, anyhow): inside the flow of an investigation filled with their wonderings.

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To bring kids to math we need to leave room for their own questions.

What happens next? There are more questions to be asked about this kind of approach. I have  my answers and am happy to share them. But I’d love to hear your questions first!


Malke Rosenfeld is a dance teaching artist, author, editor, math explorer, and presenter whose interests focus on the learning that happens at the intersection of math and the moving body. She delights in creating rich environments in which children and adults can explore, make, play, and talk math based on their own questions and inclinations.You can find out more about her work at malkerosenfeld.com,  on Twitter,  Instagram, or Facebook.

Notes from a #movingmath Summer Classroom

I am so excited to share the work of Lisa Ormsbee at Fairhill School in Dallas, Texas  who has spent the past two weeks running a math and movement summer enrichment camp using resources from Math on the Move, the Move with Math in May lesson plans, a rhythm-based exercise program called Drumfit, and a lot of other great ideas she pulled together to meet the needs of her students through rhythm and movement. She has ten students with most of the students “learning different” (e.g. dyslexia, dysgraphia, ADHD, mild autism, and selective mutism)  not all of them fans of math, what she described as a “general math reluctance.”

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I was thrilled to get her wonderful email updates on the first and second week of programming which showed just how much of an impact a #movingmath approach can have for all learners. I especially love the progression Lisa created to gently lead reluctant movers (and math-ers) into what has become enthusiastic engagement! Here’s some of what Lisa shared with me:

Monday:  I did a couple of ice breaker activities which involved moving around and were non-threatening (meaning no one HAD to talk in front of the  group).  I started by challenging them to put THEMSELVES into patterns during this warm up time – it was totally spontaneous but it was fun for them. We also got oriented to our class space.  I had removed all the desks and chairs and had the [Math in Your Feet] squares taped on the floor.  They had to adjust to the idea that we weren’t going to sit in desks. I also introduced Drumfit on this day and used that activity time to introduce “follow me” patterns with the drumming rhythms. These kids are fairly reluctant to move around and have pretty low physical literacy and body confidence so I wanted to be sure to take the introduction of the program slowly.  They did extremely well with the movement during the icebreakers!  The drumming is growing on them but took several days for them to feel confident and, some still do not, but I’m not pushing them in that area as it’s a “fun” time. It’s such a good fit with patterns and using your body to make them though! 

Tuesday: We did the pattern game sitting in a circle that you outline in one of your lessons [Clap Hands: A Body-Rhythm Pattern Game].  This was HARD for some of them!  They were all engaged in it though.  We could certainly do this again!  Then we went to our gym space and used the ladders to prove the center [Proving Center lesson] in teams and also to create patterns as a team using bodies and any other items they wanted to use. They were told to be as creative as they wanted with their repeatable pattern. We discussed symmetry here too.  I used my purple circle discs to have them create a game using their ladders also. The game had to have some “math” in it. It was so very, very interesting to watch them do all of this!! We discussed a lot after that and talked about what they had done and how they had thought of their games and patterns.

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After one more day of getting kids used to moving and thinking about math at the same Just turns postertime Lisa introduced the first step in the  Math in Your Feet “pattern/partner/dance process.”  Lisa wrote:

It was slow and I didn’t hurry them.  It took a while to orient them to the squares, talk about sameness (congruence), and review the movement variables. We also took a LONG time talking about the turns. That’s all we got done but I told them we’d be making a pattern with our partner the next day and we’d be concerned with precision and sameness.

On Friday they started working with their partners on creating their 4-beat patterns.

The kids were ALL so engaged in this activity!  I couldn’t believe it.  They had some trouble with cooperation and with identifying sameness. It was extremely hard for a couple of students but because they were working with a partner they were more interested in “sticking in there” where it was uncomfortable until they got it right!  AWESOME!!  I felt like it was a successful day and I can’t wait to do more. 

Next week, I want to have them write a little bit about their patterns and make a drawing etc. like you do in the book.  I also want to let them do this part again then work on combining and transforming.  When we get to the mirroring piece we will have to go pretty slowly I’m guessing. 

During the second week of summer school Lisa did the mirroring/reflection lessons and was also able to extend and connect the physical work by having them having them map their patterns and then read/decode each other’s pattern maps.

Once I added music to the activity they had a blast!  I feel we were all inspired by the Math in Your Feet program to be open to new ways to learn through movement. I was so caught up in our activities I didn’t get any pictures!

But she did eventually get some videos! Here are a couple showing the children’s awesome physical thinking around reflection. One person is keeping their rights and lefts the same as they originally designed the pattern, and the other person is dancing the pattern with opposite lefts and rights. And this is all on top of some tricky rotations. A mighty feat!

Lisa says: I hope [this account] helps others dive into the program because my kids really engaged with it and I am 100% sure that they would not have been so engaged had I chosen a more traditional program for the summer enrichment. I really hope this will help them with their understanding of math and also with their movement confidence and honestly, their joy of moving! I’ll be the P.E. teacher here next year – although I must say this might actually make me a fan of math too. Yay!

Thank you, Lisa, for sharing your work with us!


Malke Rosenfeld is a dance teaching artist, author, editor, math explorer, and presenter whose interests focus on the learning that happens at the intersection of math and the moving body. She delights in creating rich environments in which children and adults can explore, make, play, and talk math based on their own questions and inclinations.